“when there are dangling, low hanging trees or branches, I often will try to either position myself near it or not deny that it's there. And I’ve been finding that I love grass.”

Jennifer Mascall is like hot sauce!

Welcome Travis Bernhardt, comedian…

Welcoming frequent MascallDance collaborator, playwright, actor and comic, Jenn Griffin,

Persistent | Unraveled | Behaved

unrecognizable | rhythmic | tossed bones

invisible | fast | sound

metarealist | in-between | opaque

“It was the Hahn sisters’ deep conviction that dance is a transformative art form which all people should experience to feel truly alive.”

Karen Kurnaedy, on teachers Gretrud and Magda Hanova

Darest thou now, o soul
walk out with me toward the unknown region
where neither ground is for the feet nor any path to follow

lyric from
”Noah’s Ark”

by Veda Hille

Take a look!

“I’d try to be intuitive, to feel what the dancers were doing, because sometimes I was concerned not to crash into them; but also I was trying to be as close as I can possibly get. So when they come in, I’d spring back.

But then I realized that was the very moment where I should be springing forward, and the collision would create fresh dynamic.

This workshop invites anyone interested in finding their own voice.

It's weirdly hard to remember what was going on pre-CVD-19. Audiences said we'd done the best BLOOM residency program in our history - partnering with Talking Stick Festival to feature Indigenous dance artists. I'd just seen Olivia Olsen's superb Ahkmatova. And, inspired by work with archivist Abigail Sebaly and an invitation from Peggy Baker, I dove into two ideas I'd worked on back in the ’70s.